Poetry&Stuffby
MARNE KILATES
MARNE
S
KRIPTS
from
Antinostalgia & the Tokhang
Rhapsodies
from
Antinostalgia & the Tokhang
Rhapsodies
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
from
Antinostalgia & the Tokhang
Rhapsodies
Poems 2022
Poems 2022
Poems 2022
Poems 2022
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
Carmen: Exeunt, Elsewhere, Here
In Memoriam: Carmen Guerrero Nakpil
“Why did being Filipino include so much pain and suffering?”
​
“Where’s the patis?”
1
She was one of the few
Who made it their duty to remember,
Who conquered time by transcribing it,
Who refused oblivion by the rigors
Of thought and speech.
Precocious colegiala rising from
Reading proof to adept,
She talked to us by the printed word,
With faith and finesse in our borrowed tongue,
Telling us of the lost Ermita,
Next to the rich enclave of Malate,
The hermit’s beach a still pastoral outpost
By the bay, where beyond the rise
Of ocean the radiant sun of Amaterasu
Coveted the kundiman sunset.
2
Daughter and widow of war and history,
Linked by the accidents of love and affinity
To the two faces of our Revolution,
Marrying a descendant of Rizal,
And later a descendant of the widow of Bonifacio
(Widowed by the Japanese War in-between),
She lamented why being Filipino
Included so much pain and suffering,
Imposed from outside as much as self-inflicted:
Why our constant hungers and inadequacies,
Nothing suffices, not even the best:
We gild every lily, can’t stand empty spaces,
We fill every silence: Please pass the patis.
3
The younger among us could only be awed
By the keen surveyor of our manners.
Unsparing in her censure of our foibles and excesses,
Critical of our disregard for the past,
Careful to point out our own failures
And ironies, she constantly reminded us of our
Slavish devotion to our old masters,
Yet cautioned us that no matter our lament
For our lost Self, and searching for it by escape and
Wanderlust, it is only and truly within us.
4
She had access to the Dictator and wife
And while watching on TV the long cortege
That overflowed the streets, the slow
Weeping funereal dance for the Widow
Who became president, felled by illness,
The Dictator lamented how the people could be
So ungrateful, “After all we had done for them.”
In recall, she wrote, At that moment I knew
It was the Dictator who died. The people had found
Themselves in grief. He was lamenting himself.
​
​
​
​
5
In her long life, dwelling with Myself, Elsewhere,
She hoarded memory like jewels
But shared them unstintingly in her well-wrought
Words: She had made sense perhaps
Of the inabel and tinalak tapestry of her country,
Interwoven, through the nimble shuttle of her pen,
With piña and callado, shaping the stiff
Butterfly sleeve of baro andterno
Worn with bare midriff at one president’s
Inaugural: the demure Dalagang Filipina
Daring the hauteur of hacendero or ilustrado,
The unsubtle importuning of the brash Americano.
6
Nearing the end, she was prescient in her Exeunt
And quoted the patron saint of her childhood:
“Nada te turbe. Nada te espante…
Let nothing disturb you, nothing frighten you.
No longer restless or fractured,
Rid at last of all strange gods,
This very old heart withdraws into peace.”
7
Once in inebriated banter, friend Nick
Mockingly reminds her: If not
For your Castilian colonizers, Chitang,
You would still be an Igorota.
Nothing wrong with being one
Of my people, she thought, but told him,
No, I would be an Urduja.
Patrician of mien and stature, she was
Nevertheless democrat and devotee
Of Nation, aware of the isles of class and self,
The gulfs and bridges of archipelago.
Daughter and widow of war and history,
She could re-spool, at last, the thread
Of her labyrinth to the final flight:
Dutiful, severe, beautiful Handmaid of Memory.
Marne Kilates
12 August 2018
CARMEN GUERRERO NAKPIL by Ferderico Aguilar Alcuaz