Poetry&Stuffby
MARNE KILATES
MARNE
S
KRIPTS
from
Antinostalgia & the Tokhang
Rhapsodies
from
Antinostalgia & the Tokhang
Rhapsodies
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
from
Antinostalgia & the Tokhang
Rhapsodies
Poems 2022
Poems 2022
Poems 2022
Poems 2022
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
Enigma of the Hour
Three figures at five minutes
Before three o’clock, a white circle
Of Roman hours above an arcade of brown
Shadows. And beyond, a sky of verdigris
That doesn’t say night or day.
Which three o’clock is it?
Golgotha’s or the hour of suicides?
To the left of the minute hand,
Framed by the square hallway window,
The farthest figure cuts a diminutive
Silhouette hunched over the parapet
Above the arches. Is it there for a breath
Of fresh air, or is it going to jump?
Below, under the second arch
From the right, a darker, faceless
Apparition emerges from the chiaroscuro
Of the wall behind. It seems to hesitate,
But perhaps only to watch its steps
In the twilight, before descending
Into an almost empty courtyard
Where the third figure, white
And standing so still as if wrapped
In a shroud, seems to be waiting.
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His back towards us, we cannot see
His arms, and his shadow
In the diagonal light is cut by the frame.
What looks like the flounces
Of an Arab kaffiyeh are unruffled
At his nape. There is no wind.
But why is he loath to look
At the dry fountain beside him?
Is he pointing a gun or just shivering
In the chill? What cosmic triangulations
Do these figures compose, what dire
Premonitions converge with them?
We will never know, because
Giorgio de Chirico never said, “Symbols!”
And I knew far less the first time I saw
Enigma of the Hour. The frame was
Narrower, an upright rectangle.
I don’t remember which figure
Was cropped away. It was used
As cover for a 1970s Penguin edition
Of Franz Kafka’s The Castle.
(26 August 2008)
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