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11

Heir to the cajistas of the Diario de Manila,

Veterans of midnight editions spewed

By Roneo & Gestetner: Ang Bayan reprints,

Local updates, manifestoes against

The Suspension of the Writ, tuition fee hikes,

Spikes in electric bills, haciendas ejecting

Tenants, scabs terrorizing the kasamas

At the clothing factory and paper mill,

We join this candle-lit procession

On the paved banks of the Naga River

With university students who have never

Cut-and-pasted Xeroxed images

Of the Mendiola Massacre, cadres marching

In the fastness of Jovellar or Isarog,

Who have never corrected a galley proof,

Would not have encountered Letraset,

The IBM Golf-Ball or Daisy Wheel,

But recognize Helvetica, Arial, Times New

Roman as font choice for term paper,

Dissertation, first poem collection.

 

On this night, under the Colgante Bridge,

At the end of our procession, we cupped

Our hands to shield our candles against

The wind, we sang songs and read poems

From desktop editions printed on demand,

Lamenting the dying of the Naga River

The paving of its banks with choking concrete.

The trees and vegetation are gone,

The river has been taken from us.

We have grown farther and farther from it.

Imprisoned in its protection, will it protect us

From the onrushing flood brought

By our thoughtless schemes, our own

Indifference and forgetfulness?

The night sped above us with its million

Errands on and across the Colgante Bridge,

Its dilated eyes and obstreperous groaning

Fragmenting infinitely in all directions.

10

Under the Colgante Bridge as night sped

Above us with its million errands, our

Procession of guttering candles and makeshift

Lamps and the weak electronic light of cellphones,

Starting from the Basilica Menore at the other

Side of the City, came to a stop. We were  

A small and frail army of ‘River Warriors’.

 

Now rigid concrete, and not the gangling

Trestle of 1972 when it fell from the weight

Of spectators awaiting the Fluvial Procession

About to pass under it, the new Bridge

Bore the rumble of wheels and haste above us.

As it collapsed on the river, first with a groan

Of cracking wood and shriek of metal, then

With a loud splintering crash and a jumble of old

Timber and neglect, it brought perhaps thousands

With it, with more than a hundred either

Drowned or tansfixed with slivers or shreds

As anti-insurgency-spun rumors fllew

Thick and fast, because perhaps the City was

Being punished for its profligacy, but more for its

Sympathy for the resurgent Communist Party.

 

Before the decade was over, at the height

Of Smiling Martial Law and tortures and

Disappearances swept under the rug, the Crony

Newspapers reporting only the progress

Of the Maharlika Highway and beauty pageants,

The image of the Ina was stolen from its shrine.

It caused great sorrow and waves of superstition

Among citizen, pilgrim, devotee. Near the end

Of the next decade the image was mysteriously

Returned to a member of the CBCP, the bishops’

Conference. As the region reeled under

Typhoon Ruping, thousands braved the raging

Floods and howling winds to meet the motorcade

From Manila bearing the image. Secretly,

The beauteous Imelda had donated a huge

Amount for building a gleaming Basilica where

The recovered image was to be newly enshrined.

​

Minerva p.6
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