Poetry&Stuffby
MARNE KILATES
MARNE
S
KRIPTS
from
Antinostalgia & the Tokhang
Rhapsodies
from
Antinostalgia & the Tokhang
Rhapsodies
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
from
Antinostalgia & the Tokhang
Rhapsodies
Poems 2022
Poems 2022
Poems 2022
Poems 2022
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
Three from the Prado
1. Goya’s War
We may have forgotten Napoleon’s treachery,
Or the weakness of the cuckolded Spanish king,
But fear is indelible in war’s faceless victims.
So Goya shows us in his shallow canvas
Where a square lantern is the only dawn light
That will direct the flow of darkness
From the fixed bayonets of the fusiliers.
But it will never arrive to tear the breast
Of the terrified civilian in his shirtsleeves,
Or smash the warm bodies of those
Whose eyes can only now half-await
The bullets. Because they will never arrive.
As in Zeno’s Paradox, art suspends
The actual. Death, though certain, is always
Coming, ever halfway getting there.
Detail from El Tres de Mayo de 1808, Francisco Goya
Detail from Las Meninas, Diego Velasquez
3. The Panels of Hieronymus Bosch
Who remembers paradise?
What memory of it
Remains in our fragile flesh?
In the middle of the garden
We think we own and that we so flagrantly
Waste, how much of it can we give up?
We will never be scared of hell
No matter how in our fantasy we give it
Such wondrous shapes.
May 16-17, 2013
2. Velasquez’s Mirrors
Velasquez is looking at me.
Foucault is looking at Velasquez
Looking at me. Between us
A trick of mirrors. Where
Do we stand in the order of things?
I search for Foucault among my shelves,
I Google Velasquez and his images
To refresh a day I spent at the Museo Nacional
Del Prado. Between the ranges of their
Vision, between the points of perspective
Among the Infanta and her entourage—
She luminous among the duennas
And the dwarfs, the repoussoirof mastiff,
The huge canvas with its back toward us,
The door in the background letting in
​
The light, from where the queen’s
Chamberlain looks in on the scene,
And almost in the middle of everything,
The royal couple themselves
Materializing in the mirror, watching,
Looking at Velaquez looking at me—
The painter entices us with life’s
Illusion looking at itself, in the order
Composed and mastered by himself.
And somewhere out of the canvas,
Perhaps from where you and I are now standing,
Foucault comments casually: There is only
Uncertainty, and all we’re left with
Is the Pure Image unburdened by reality…
As I try to reassemble Las Meninas
In the mirrors of my memory,
As I went out of the half-light of the Prado
To the bright Madrid sun in 2003.
​
The Garden of Earthly Delights, Hieronymus Bosch