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Three from the Prado

1. Goya’s War

 

We may have forgotten Napoleon’s treachery,

Or the weakness of the cuckolded Spanish king,                                                               

But fear is indelible in war’s faceless victims.

 

So Goya shows us in his shallow canvas

Where a square lantern is the only dawn light 

That will direct the flow of darkness

 

From the fixed bayonets of the fusiliers.

But it will never arrive to tear the breast

Of the terrified civilian in his shirtsleeves,

 

Or smash the warm bodies of those 

Whose eyes can only now half-await 

The bullets. Because they will never arrive. 

 

As in Zeno’s Paradox, art suspends 

The actual. Death, though certain, is always 

Coming, ever halfway getting there.

ElTresdeMayo.jpeg

Detail from El Tres de Mayo de 1808, Francisco Goya

Las_Meninas_DiegoVelázquez.jpg

Detail from Las Meninas, Diego Velasquez

3. The Panels of Hieronymus Bosch

 

 

Who remembers paradise?

What memory of it 

Remains in our fragile flesh?

 

In the middle of the garden

We think we own and that we so flagrantly

Waste, how much of it can we give up?

 

We will never be scared of hell

No matter how in our fantasy we give it 

Such wondrous shapes. 

 

 

May 16-17, 2013

2. Velasquez’s Mirrors

 

 

Velasquez is looking at me.

Foucault is looking at Velasquez 

Looking at me. Between us

 

A trick of mirrors. Where

Do we stand in the order of things?

I search for Foucault among my shelves,

 

I Google Velasquez and his images

To refresh a day I spent at the Museo Nacional

Del Prado. Between the ranges of their

 

Vision, between the points of perspective

Among the Infanta and her entourage—

She luminous among the duennas

 

And the dwarfs, the repoussoirof mastiff,

The huge canvas with its back toward us, 

The door in the background letting in

​

The light, from where the queen’s

Chamberlain looks in on the scene,

And almost in the middle of everything,

 

The royal couple themselves

Materializing in the mirror, watching,

Looking at Velaquez looking at me—

 

The painter entices us with life’s

Illusion looking at itself, in the order

Composed and mastered by himself.

 

And somewhere out of the canvas,

Perhaps from where you and I are now standing,

Foucault comments casually: There is only

 

Uncertainty, and all we’re left with

Is the Pure Image unburdened by reality… 

As I try to reassemble Las Meninas

 

In the mirrors of my memory,

As I went out of the half-light of the Prado

To the bright Madrid sun in 2003.

​

TheGardenofEarthlyDelightsBosch.jpg
TheGardenofEarthlyDelightsBosch.jpg
TheGardenofEarthlyDelightsBosch.jpg

The Garden of Earthly Delights, Hieronymus Bosch

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