Poetry&Stuffby
MARNE KILATES
MARNE
S
KRIPTS
from
Antinostalgia & the Tokhang
Rhapsodies
from
Antinostalgia & the Tokhang
Rhapsodies
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
from
Antinostalgia & the Tokhang
Rhapsodies
Poems 2022
Poems 2022
Poems 2022
Poems 2022
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
The Tokhang Rhapsody
(Or: The EJK Pieta)
He was tired of the world
That ignored his existence
Or denied him the simplest comfort
Except the love of a wife
The wide adoring eyes
Of infant and toddler looking up at him
Sharing his small blessings
And his huge unceasing hunger
So he took refuge in the cheapest
Escape packets of illusion
Regularly delivered by his vendor until
They came on a motorcycle
Wearing bonnets showing only
Their eyes searching him out
Of the mute anonymous alleys of midnight
He did not have the strength to run
He was walking in a haze
Along the grimy sidewalks and fetid canals
And when they caught up with him
At close range the shots rang out
The neighborhood closed its windows
Turned off their lights
So they wouldn’t be involved
And could sleep in peace
When the shots rang out
The city had either closed its eyes
Or turned to its late chores
The wife was waiting to heat dinner
If the husband came home
From drinking or factory overtime
The bureaucrat was tipsy driving from a party
The lawyer was preparing his brief
The doctor was doing his last scrub
For the late night emergency
The midwife had brought in the last baby
To suckle at its mother’s breast
The priest was reading his breviary
The funeral home had left its door open
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PHOTO: Basilio Sepe
When the shots rang out
The photographers received their alert
At the police headquarters
And they scrambled and motored to the site
Among the thick dark slums
Of labyrinthine alleys
The random pile of shanties
As if hugging and protecting each other
Trying to keep together
In the slow centrifuge of the circles of hell
And when his wife found him slumped
On the sidewalk she took him in her arms
And sat on the embankment
Cradling his limp body
And the cameras flashed
And the picture formed a soiled version
Of the mother cradling a dead son
In a chapel in Rome in immaculate marble
Which was what the public saw
In the morning splashed out on the papers
And the police and believers of the drug war
And that poverty was the fault of the poor
Mocked it as fake proclaimed it staged
And the public half-believed it
And the murders continued
When his soul rose and drifted out
Of the cones of lamplight and media floodlights
He thought he was still having his best high
And he didn’t know if he was
Laughing or weeping as he became
Lighter and lighter and he lifted at last
From earth and his feet could no longer
Touch ground as he slowly disintegrated
And vanished into the pitch-dark of heaven
Just before the first light
Marne Kilates
6 May 2017
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