Poetry&Stuffby
MARNE KILATES
MARNE
S
KRIPTS
from
Antinostalgia & the Tokhang
Rhapsodies
from
Antinostalgia & the Tokhang
Rhapsodies
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
from
Antinostalgia & the Tokhang
Rhapsodies
Poems 2022
Poems 2022
Poems 2022
Poems 2022
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
The Red Naidi Lighthouse
“Is this ‘photographer's license’," I asked. “I don't recall if the Naidi lighthouse
is colored red. I was in Batanes more than a decade ago, I think. But it's a beauty, nevertheless.”
“The Naidi Lighthouse is not really red in color... “ Olen Co, the photographer, said.
“The color came from the tail lights of the nearby vehicle... it just happened that
another group of photographers was also shooting with us, and they left earlier...”
Memory has doubts. I Googled
The image and sure enough the photos
That came up showed it was white.
But the photographer had claimed it
As her own: a smoldering scarlet as she
Pressed the shutter and the same
When it came out as digital file or print.
It was the famous postcard lighthouse
As painted by the tail lights
Of departing vehicles.
Rising stark
On the horizon of the Batanes hills,
Over the green brush of cogon
And cadena de amor caught in the gleaming
Starlight and the sparkling curtain
Of the Milky Way between shutter-priority
Clouds as if brushed blurry on two sides
Of the frame, Olen’s “My Red Naidi Lighthouse”
Was almost dead center. It had acquired
Or radiated its own magic being red,
And in its own moment had
Dispelled my memory’s doubts.
But,
It has been said, in courts of law
Or psychological tests (or under
Gaslight), memory is selective. Who is
To say the Naidi lighthouse is not red?
There is a photo showing it is. And it’s
Magical, in fact! But there are other pictures
Showing it is white.
And how do we know
It’s the same Milky Way we see coruscating
In the night sky behind the lighthouse,
Made visible by aperture or shutter priority
Or the lowest ISO, when many of its
Pinpoints of light might have been
Extinguished in the intervening
Lightyears?
​
We really do not know.
Even faulty, doubtful memory creates
Magic. Or maybe because it is doubtful
And faulty—what it remembers
Becomes magical.
Dead stars reach us
By their ghosts of light. The cosmic truth,
Whatever it is, perhaps leaves its mark
On electronic sensor or celluloid or neuron,
But as an image it cannot reside
Absolutely (permanently, indubitably)
On the Batanes hills.
(Or maybe
It survives in some vein or fracture
Of asteroid, or membrane or nerve,
In the heartbeat of recognition or recall.)
But ultimately we
Distrust, suspect, or disbelieve, we even
Refuse to remember, because all
We have is a
Photograph.
Marne Kilates
1 April 2019
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