Poetry&Stuffby
MARNE KILATES
MARNE
S
KRIPTS
from
Antinostalgia & the Tokhang
Rhapsodies
from
Antinostalgia & the Tokhang
Rhapsodies
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
from
Antinostalgia & the Tokhang
Rhapsodies
Poems 2022
Poems 2022
Poems 2022
Poems 2022
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
From Mga Biyahe, Mga Estasyon
From Journeys, Junctions
(a collection of travel poems)
Almost a full four months before the Berlin Wall teetered over the abyss, before freedom and souvenir hunters finally gave it a push with chisels and banners, Mike Bigornia and I were boarding Intourist buses and Russian trains to parts reachable within a thirteen-day tour. Kiev was unforgettable with its Open Air Museum—a real lived-in village showcasing native and classic Russian architecture and folk culture, where we trekked up and down steppe-like slopes lugging, with our guide Vladimir, a demijohn of beer which we purchased early morning at the roving trailer tap, lining up together with thirsty Ukrainians—now we were to be treated to the lavish memories and memorabilia of Tsarist Russia. The biggest “souvenir shop” was of course the museum called Hermitage, perhaps the second largest in Europe, next only to the Louvre. Our main guide (for Moscow and Leningrad), Dmitri, told us a six-day tour was needed to give justice to the curio-hoard of the museum complex, but we had only the whole afternoon before training back to Moscow. Thus we had a walking-running tour of the main building, the Winter Palace, playing hide-and-seek among galleries full of anything from quiet Egyptian antiques to the ecstasies of Murillo, or the red and blue periods of Picasso. But here is my short “journal entry” years later, made from the notes of a harassed tourist, but hopefully giving the smaller things their proper worth amid the opulence and inevitable awe we have for any new destination, the smaller things which for me are more the stuff of poetry.
The Russia Suite
II. Leningrad
Under marble slabs the Tsars sleep
Their dank and mildewed sleep
In a cathedral in Leningrad.
In the glow of goldleaf wrapped
On the twisting columns of iconostases,
Old women light the votive candles
Of their resilient faith, as the young
In their secular ambivalence
Ponder the tomb of Peter the Great.
Books tell of the swamps and their
Pestilential breath that sired
This rival of old Muscovy,
Of conscript peasant, nobleman and serf,
The horde of infantry fed to the cold
Of the marsh and the crash of artillery--
Tributes to the Tsar’s grasp
Of the southern steppes in the war
Against the Swedes. It is from their
Namelessness a new Russia arose.
​
Here, now, named after a hero of another
War, is St. Petersburg: A late summer
Of colonnades and corniced windows,
Pink Italian facades staring down
The flood of morning traffic
On the endless stretch of Nevsky Prospekt,
As obese women and milk-skinned girls
Savor the last of the sun on the grass
Along the banks of the Neva--
Now almost still like lapis lazuli,
Veined here and there only by ripples
Stirred by geese, a child’s paper boat,
Cellophane wrapper, windblown birch leaf.
From the Lavra chapel under the lindens
Whose shadows dapple Dostoyevsky’s grave,
Newlyweds march to Alexander Square,
Pose beneath Karl Marx’s bust,
And affix their signature
To the posterity of a photograph.
Behind the colonnade on another square,
An older passion pulsates: lovers
Concealed behind pine and poplar swaying
In the beige skies of the tapestries
At the Hermitage. Faces, viewed and viewing,
Are transfixed on the Rembrandts
And the Murillos, the red dancers
Of Matisse, the blue girls of Picasso,
Van Gogh’s swirling impastos.
These hurried journeys through time
Root me down as I stand in the marble hall
That is the throne room of Peter the Great:
With all but a tourist’s awe, I am granted
This moment of true Russian drunkenness,
To revel in the terrible beauty
That survives all its human cost.
1990
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FROM TOP: The grand staircase at the Hermitage Museum;
A babushka over prayer candles; Matisse's Dancers; and Picasso's Absinthe Drinker.
The images on this page came from various sources on the Net.