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Almost a full four months before the Berlin Wall teetered over the abyss, before freedom and souvenir hunters finally gave it a push with chisels and banners, Mike Bigornia and I were boarding Intourist buses and Russian trains to parts reachable within a thirteen-day tour. Kiev was unforgettable with its Open Air Museum—a real lived-in village showcasing native and classic Russian architecture and folk culture, where we trekked up and down steppe-like slopes lugging, with our guide Vladimir, a demijohn of beer which we purchased early morning at the roving trailer tap, lining up together with thirsty Ukrainians—now we were to be treated to the lavish memories and memorabilia of Tsarist Russia. The biggest “souvenir shop” was of course the museum called Hermitage, perhaps the second largest in Europe, next only to the Louvre. Our main guide (for Moscow and Leningrad), Dmitri, told us a six-day tour was needed to give justice to the curio-hoard of the museum complex, but we had only the whole afternoon before training back to Moscow. Thus we had a walking-running tour of the main building, the Winter Palace, playing hide-and-seek among galleries full of anything from quiet Egyptian antiques to the ecstasies of Murillo, or the red and blue periods of Picasso. But here is my short “journal entry” years later, made from the notes of a harassed tourist, but hopefully giving the smaller things their proper worth amid the opulence and inevitable awe we have for any new destination, the smaller things which for me are more the stuff of poetry.

The Russia Suite

II. Leningrad

Under marble slabs the Tsars sleep 

Their dank and mildewed sleep

In a cathedral in Leningrad.

In the glow of goldleaf wrapped

On the twisting columns of iconostases,

Old women light the votive candles

Of their resilient faith, as the young

In their secular ambivalence

Ponder the tomb of Peter the Great.

Books tell of the swamps and their

Pestilential breath that sired

This rival of old Muscovy,

Of conscript peasant, nobleman and serf,

The horde of infantry fed to the cold

Of the marsh and the crash of artillery--

Tributes to the Tsar’s grasp

Of the southern steppes in the war

Against the Swedes. It is from their

Namelessness a new Russia arose.

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Here, now, named after a hero of another

War, is St. Petersburg: A late summer

Of colonnades and corniced windows,

Pink Italian facades staring down

The flood of morning traffic

On the endless stretch of Nevsky Prospekt,

As obese women and milk-skinned girls

Savor the last of the sun on the grass

Along the banks of the Neva--

Now almost still like lapis lazuli,

Veined here and there only by ripples

Stirred by geese, a child’s paper boat,

Cellophane wrapper, windblown birch leaf.

From the Lavra chapel under the lindens

Whose shadows dapple Dostoyevsky’s grave,

Newlyweds march to Alexander Square,

Pose beneath Karl Marx’s bust,

And affix their signature

To the posterity of a photograph.

Behind the colonnade on another square,

An older passion pulsates: lovers

Concealed behind pine and poplar swaying 

In the beige skies of the tapestries

At the Hermitage. Faces, viewed and viewing,

Are transfixed on the Rembrandts

And the Murillos, the red dancers 

Of Matisse, the blue girls of Picasso,

Van Gogh’s swirling impastos.

These hurried journeys through time

Root me down as I stand in the marble hall

That is the throne room of Peter the Great: 

With all but a tourist’s awe, I am granted

This moment of true Russian drunkenness,

To revel in the terrible beauty

That survives all its human cost.

 

1990

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FROM TOP: The grand staircase at the Hermitage Museum;

A babushka over prayer candles; Matisse's Dancers; and Picasso's Absinthe Drinker.

The images on this page came from various sources on the Net.

Matisse Dancers.jpg
Picasso Absinthe Drinker-1901.jpg
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