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P I C T U R E S   F R O M   B A T A N E S  •  2

II. Liveng: The Hedgerows of Naidi Hills

On windswept slope or cogon crest

Stretching into drop of shale or limestone,

 

They mark different islands: As if the felicitous

Native name would mark modes and areas

 

Of living: squares of upland rice, stripes of 

Sweet potato, stands of buripalm, rows of taro, 

 

And trunks of coconut, sparse and slender,

Dotting the swards cropped close by long-horned 
 

Brahmin and whiskered goat filling their udders.

Designating patches of tillage and long habit,

 

They enable the coming of the communal

And the solitary, each to his own square

 

To turn the brown sod, or all hands to tend

The green if the crop is heavy, but guided

 

By the short summer, all hands to reap

The rainbow. So it was among these

 

Quilted hills, they say. So it was when they

Thatched the stone-walled rakuh with reed

​

And cogon in the neighborhoods among

The lower slopes and streets. Oh, what a feast

Of hands! Oh what vision among these heights!

On clear days, they used to say, you could hear 

 

The cock crow in Lanyu. Or perhaps drifting

With the breeze from further back,

 

The lost lines of laji, telling of days between

Storms, or rain dripping from vakul

 

As thick as the cuatro aguas of cogon,

Of leave-taking and rowing the hardy falua

 

To the city or sea. But shorter and shorter is 

Memory. So the stranger marvels. 

 

Reluctant confessor, he is more intimate 

With Local secrets. Or everyone’s truth: 

​

Whispered to him by the island gods, 

What they always told the first Ivatan 

 

Settling these hills after mooring from 

The north: Live like islands, whole in your 

 

Selves but not alone—because joined

By clear lines of demarcation. 

 

 

(rev. 13 June 2011; 17 September 2019)

Liveng or hedgerows

by Jovi from Flickr

Liveng JoviFlickr.png
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